Venturing Out

For those of you following my journey, you’ll know that in late June I embarked on a personally created artist residency (typically artist residencies are about going somewhere else to make art in a new community, I reversed the idea and focused in from home-base).

I am pleased to report that I have nearly 20 paintings finished. I found so much joy while working 8 to 16 hour days painting, thinking about painting, preparing and finishing paintings, imagining the next painting, mixing colors, and having a photographer come to my studio to take professional images.

My world has swirled with flurried activity—then crashing into deep sleep late at night or even occasional mid-afternoon naps.

Now the time has come to venture out of my studio and bring the work to my community—you and others!

Suzanne Gibbs, ©2019, Tea Cup Face, painting on wood with mixed media, 14 x 11 inches. $1000

This new series began to take root last summer. I was re-purposing envelopes. Specifically, the inside patterns from security envelops to create art for Art-O-Mat. The more envelopes that I cut open and tore apart the more I began to think about the use and meaning of a product as banal as an envelope.

Security envelopes are taken for granted. They do their job of hiding critical information. The envelopes gave me entry to a question I have had locked inside of me for years. Are social norms that we all, and especially myself, take for granted working like security envelopes?

I questioned the function of the product—and by extension, my role in social norms. For me, my new series: “Shhh, Say Nothing” is about stories hidden inside ourselves.

The curiosity and confusion I feel is expressed through abstract portraits.

Below, is an image of one of the first collage pieces I made when I was in the development stage of this new body of work.

Suzanne Gibbs, ©2019, Shhh, Say Nothing Series study, Flashe paint mixed media collage.

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