Hook and Bait

I just wanted to write a blog with this title. I have no idea what I will say.

I saved this title in April 2016… with the words as written above. Today is the day to bring the title to life in your inbox. I am fishing for customers.

Might I hook you?

Maybe the IRS is sending you a refund check? Or maybe not, but you finally finished your taxes? Either way it is time for a treat!

The Shhh book will be ready to ship very soon and I want you to have a copy of it in your hands as soon as possible. They only way I can do that is if you choose to pre-order your copy. Link here. Pre-orders arrive with a gift—the bait! 🙂

Thanks for allowing me in your in-box each month.

I hope you are staying healthy and weathering the storm of transformations and changes that are happening all over the globe!

An Invitation

Enjoy viewing a studio visit video tour and also a sketchbook tour!

Also, a wee bit of vulnerable honesty here. Making art is my passion. Usually I experience a zen-like feeling while I paint. That’s the truth. The other part of the equation is that sharing my work in all sorts online formats is also work and quite time consuming. I love this! I want to share my work with others.

Now for the invitation, if you love what I share and the work I make, will you please consider a subscription membership to Patreon?

For as little as $1 per month you get all sorts of insiders content about my work, process, and thinking. The $25 and above membership levels now include a nifty mug, shipped right to you! Sip your morning beverage with my art. What could be better? 😉

PS. Coming soon. Pre-orders for my third book, The Shhh Book.

Working Collaboratively

As many of you are already aware, I have been working on my third book this year. This time, instead of working alone, I have been working collaboratively with others. Working in this way brings me so much pleasure. Plus the bonus of constant email and follow-up with a diverse and interesting array of women!

I never feel alone! Ever.

Collaborative work is extremely different from the work I do to make my paintings come alive—where I spend hours alone with brush, color, and wood surface listening to countless books on tape, Podcasts, talking on the phone, or streaming music via Spotify. Working collaboratively has also forced me to be very much more aware of how I organize my time and information—two things all small business owners must attend to.

Somehow the balance of the two different kinds of work—collaborative vs. solo—are just the perfect fit for me!

I got to this place of joy in my work by constantly working, trying new things, asking friends and fellow artists, and then even hiring help. A few years ago I went through some art business coaching, and my wise coach said to me:

I kinda think your happiness is—not making your fine art in the studio alone. I get the sense you need to work more collaboratively on everything. — Alyson B Stanfield

It’s great when someone can reflect back at you what you might already know about yourself, but are not quite paying attention to!

The Shhh Book mock-up. The book will be in publication sometime later this year.

I hear you Alyson! This year, even with the horrid pandemic in the background, I have been 100% in the zone, on top of my game, and thoroughly enjoying my work. When I look back at the most exciting times in my life, they have often been when I work in collaboration with others. I have loved every construction project I have worked on because there is a team of people to collaborate with. I love co-teaching and cooperative school projects. I love creative projects where everyone’s input makes for a better process, even if the end results are somewhat wonky.

While we continue to endure the pandemic and the resulting stay-at-home and soon to be go out, but slow and with different rules orders, I urge you to look at how you can work collaboratively even while social and physical distancing. Interaction with others makes for healthier living—even if we need to use Zoom.

Stay well friends. I can’t wait to bring you more news of The Shhh Book. I am so close, and yet as we know birthing a project is a ton of hard work right at the end!

If you’d like to receive more frequent updates from me, and insiders Studio Visits, please consider joining me on Patreon. Patreon works sort of like a subscription to a favorite magazine, with perks.

Daily Writing—Ink and Paper

I use a Mead Recycled paper notebook that I buy in bulk from Amazon for my daily morning writing. Heaven forbid I run out, or the product gets discontinued, I’d be devastated!  In 2019 I filled 11 notebooks—almost one per month.

While doing daily writing I also emptied 3 BIC pens! You cannot imagine the thrill I get when I run out of ink! I love BIC because I can see the inside tube of ink. 😉

In fact I have published 2 IGTV films of the momentous occasion of ink running out!!! LOL Links below.

Empty ink One.

Empty Ink Two.

I also ran out of ink this morning recording the vivid dreams I had during the night. I was so busy writing that I was unable to capture the ink running out!

Writing helps me to develop my ideas so they and I feel more grounded, I literally develop roots, and sprout—nothing helps me to feel more me than my morning writing and daily painting. Join me on Patreon to learn more about the work I make and share.

Simplify to find calmness.

Hello. I really hope that you are healthy and coping with our new global reality. Times are _________________ (I graciously allow you to fill in the blank with your own word or expletive!). Ok, now that you have gotten this off your chest, let me ask you, what does it mean to you to simplify ones life? Is simplifying to find calmness even possible under our current circumstances? Maybe. Let’s explore.

In its most basic form to simplify means to make things easier. Certainly to live easier is a worthwhile practice and for piece-of-mind these days. But how do we arrive at a simplification of daily life? Especially when everything about life is not the same as it was a few weeks ago.

As a creative, and someone that has spent hours upon hours alone making work, I have a few ideas about simplification and remaining calm. Because, you see, to get to the core of my voice creatively I need to clear away extraneous noise and ideas. My work needs to be simply my own in order to be most truthful and honest. I am compelled to attempt to share with you the importance of moving our mindset to simple moments as well as living with more simplicity to invite a calmer mind.

I will start with the idea of a single weed. One weed. What does it take to remove one weed from the ground? Let’s get down and dirty. Following is a basic narrative of how to pull a single weed in the yard and how we can seek simplicity in a single weed. Let’s begin. I go outside and walk into the yard. I see the weed. The one among many that must be pulled, right now. I bend down, I grab the sucker as close to the dirt as possible, allowing the dirt to gather in my fingernails as needed. I’ll squeeze on that special spot on the plant between the weed that is showing above ground and the roots of the weed that hold it in place underground. Once my fingers find that sweet spot and I am sure I have a firm grip, I pull. As the weed begins to release from the soil, I may reposition my fingers a little lower on the root to get more traction. Then I pull with a bit more force while also making sure to wiggle my arm just so… so that the whole root pulls loose from the dirt, thereby not leaving room for the darn ting to regrow in the same spot from a small root part that remains under the soil. For the duration of time it takes to perfectly pull one weed my mind is fully occupied on the task at hand. There is no room for noise, because if I do then a few things may happen. I find myself holding leaves and not the whole weed, or there are prickers in my skin from the plant that are now hurting the tips of my fingers, or I hear the pop of the root breaking underground and now I know that this root will soon grow back stronger. One moment. All we need to do these days is live in one moment at a time pulling our own internal and external weeds. We can only do our best. If the last moment was not our best, we have the next moment to try again. When we live totally and completely in the moment life is at its simplest.

I have 2 things to share to allow you to expand upon this idea of simplifying.

First, an article that I found at least 2 years ago (and forgot to share with you, but I am now) that seems even more pertinent today, centered around the idea of simplifying one’s life. A link to the article is here.

Secondly, I am sharing a coloring book page. My thought is this, I have art from a few years ago that I can share, and I am happy to give you a gift for allowing me to be in your email box every month.

If you would like to get a coloring book page more often then please join me on Patreon. Every Sunday I will share a new coloring book page—fun for adults and appropriate for kids. Coloring is a proven way to relax ones mind and find a calmer existence. We all need calm right now. Coloring is simple, just you the paper and crayons, marker, or colored pencils.

What’s your wish & what is the obstacle?

I wish for the world to be a kinder and gentler place. I wish for all people to be treated equally, or at the very least valued in equal measure.

My wish is to connect with women who want to change the status quo.

I wish for women to bear witness to each others stories so that healing and change can begin.

My obstacle is my introverted nature.

I’d really rather be alone painting, writing, and generally enjoying solitude. However, I realize that connection and change can only happen when people connect with one another. That’s what lead me to watch the following TEDx talk. If Isolation is a dream killer, then what is the solution?

For me, connection happens through research and painting and writing—all jumbled in my own private universe. Imagining utopia of my own creation. Maybe you see this in the work I create? Maybe you think I ought to get out more and interact with the world?

Suzanne Gibbs, ©2019, Marching Orders, painting on wood with mixed media collage, 48 x 24 inches. $3600

I am strangely grateful for this time with the COVID-19 self isolation recommendations. At the same time, I honestly hope this does not last a long time and I hope that the spread of the disease becomes less and less furious.

Ok, either way—staying in or going out. I know that connection outside of my internal world—will move me closer to my dreams and wishes—eventually! What is your wish and what is the obstacle? Can I help? If not me, then who?

These are such great questions! Let’s reach out and continue to help one another from the phone, internet, and text messaging. Sending my prayers and love into the world.

Steps to a single painting

What are the steps to painting? Draw. A lot. Draw for months and months in my sketchbook. That is always where the work begins—in a sketch (or a collage). Then, there is so much more that goes into a single painting.

Suzanne Gibbs, ©2019, Work In Progress, April.
  • Plan. Plan. Plan.
  • Size—it matters!
  • Colors—and the reasons for the colors I choose.
  • Support surface (paper or cradled wood panel, I rarely use stretched canvas)
  • Mix paint colors, plan with a color chart (but not always).
  • Prepare the surface, I tape all the edges and back to keep the panel clean and free of stray paint. Ultimately this is better for the walls of my collectors!
  • Take the sketches to larger scale. There are several different ways that I do this using technology + low tech methods and/or my drawing skills.
  • Decide on what patterns to use and why (always the why, nothing is arbitrary).
  • Practice patterns on a separate sheet of paper in the appropriate colors until I know it will work.
  • Begin the base layer of paint, make changes to colors if something does not work according to plan.
  • Work on one color at a time. This is due to the type of paint I use and the properties of the paint.
  • Photograph frequently and check values using iPhone mono/black and white mode. Adjust colors as needed.
  • I sometimes wonder if I ought to be testing colors in Photoshop or illustrator first, but so far I use my years of color knowledge, but mostly my gut to make the choices.
  • The patterns come last, working on one shape and color at a time. Mindful to leave areas with no patterns.
  • Photograph frequently to check of the effect I am looking for is working. In the days before digital photography we used to squint to check work, use a mirror, view the work upside-down and other hilarious methods—to blur the edges and take the work in through a different visual lens. I still do much of this “testing.” Digital photography is a game changer adding yet another way to test what I am sharing visually.
  • I leave areas of flat paint, these are important to the message and the viewer eye fatigue. Flat areas also help compositionally.
  • Occasionally use Posca markers for very fine details in the patterned areas.
  • Photograph and look to see if any areas need additional pattern detail. Fix as needed.
  • Photograph again and check for completeness or worse, the over-worked art! Fix.
  • Complete the work only after a minimum of a 2 day “rest” — I literally turn the art around in my studio and start a new painting.
  • Finish the back—name, year, title, materials used, size, and any other details.
  • Finish the edges—typically a wood varnish to protect the wood from drying out or changing color.
  • Document the work in Artwork Archive and on my backup hard drive and website.
  • Write a blog about the work.
  • Add the work to select projects that are in the works.
  • Submit work to shows.
  • Sell the work.

I wonder if I missed anything here?

Suzanne Gibbs, ©2019, Purple Lipped Confusion, painting on wood with mixed media collage, 24 x 24 inches. $4,200

Does this make you interested in becoming an artist? Have the steps to a single painting increased your curiosity? Do you have questions for me?

Believe, Live Joy, Buy Art

It’s February, and it’s my birthday month and I am moving. Again.

I believe in life.

  • First, allow change – it’s silly to stay stuck
  • Get rid of whatever is not working
  • Be honest, kind, and trustworthy
  • Use less than you think you need
  • Buy less than you think you need (except art)
  • Consider the environment
  • Find joy everyday
  • Be extra extra kind to yourself
  • Make Art! Or buy art. Either way live with art.

 

Suzanne Gibbs, ©2019, See Nothing Keep Running, painting on wood, 14 x 11 inches. $1000

I believe in life and I make art to live my best and joyful life.

Happy New Year, 2020!

TEN people have joined me on Patreon!

Ten!

This feels oh, so wonderful! Ten people believe in my work enough to pay me just a little (or a lot) every month to help me to keep creating and sharing my content.

Ten!

Ten is a big number, 20 is my goal for 2020!

As an MFA trained artist and author I make work expressing  ideas from deeply private personal inquiry. The series is Shhh, Say Nothing: An honest look at silenced voices is my newest work.

In this work, my fluid process of making, writing, vandalizing, creating, cutting, and repeated mark-making invites inquiry through whimsy and exacting detail. A tool kit of paint, drawing and writing implements, scissors or X-acto knives, adhesive, paper and other surfaces allows me to express the underappreciated and unnoticed labor of so many, especially women. Even more to the point, the systematic silencing of these voices.

As a Patreon artist I hope to broaden the conversation I have initiated with my newest body of work. I wish to travel and show the work as well as gather stories from other women and create a book of essays alongside my art. The book is already in process! Do you have a story to share?

And, I am sharing art, because well…. you know! You gotta see the work I do!

Would you like to join me on Patreon?

I’m waiting…

©2019, Empty Waiting, painting on wood with mixed media collage, 16 x 16 inches. $3,200

Join Me on Patreon!

©2019, Never Ladder, painting on wood panel with collage, 24 x 24 inches. $4,200

What’s coming in 2020?

  1. Art shows, and open studio events.
  2. Postcards.
  3. Stickers.
  4. A new book!
  5. Video—studio visits, insights, process, and thinking behind the work.
  6. A post a week about my progress in the studio.

 

©2019, Detail of Purple Lipped Confusion with a sticker, painting on wood with mixed media collage, 24 x 24 inches.

Only a handful of this edition of stickers is available. Request yours below.

2 Stickers for $6!

Includes shipping and handling. Very limited quantities.